Plague Songs - Dom’s Got Rhythm by Rich Hobbs

(With apologies to George & Ira Gershwin)

Algorithm! Got all data! I got my plan

Who could ask for anything more?

Got my weirdoes! Got my misfits! Algorithms!

Who could ask for anything more?

Weirdo misfits, Oxbridge wankers,

Foresee the future, paid for by bankers!

Lefty teachers, all left sulkin’!

We’re just like gods, Zeus and Vulcan!

Algorithm! We’re not fooling! We got our plan,

Who could ask for anything more?

Whack the unions! Whack the pupils! Algorithm!

Who could ask for anything more?

Whining children! Who they fooling?

Don’t they see they don’t need schooling?

Our new dystopia kinda frightens

We don’t care cos we’re like titans!

Algorithm! Got all data! I got my plan,

Who could ask for anything more?

Who could ask for anything more?

Plague Songs - Ricochet by Rich Hobbs

For Jon, in loving memory

I performed my private obsequies

    last night with Scotch and white wine

Then bawled my eyes out in the garden 

    as the weather finally broke

And when I’d visited at lunchtime

    We gave him days instead of hours

But he rushed ahead and died just

    after teatime.

Everyone has always measured out

    their lives in eating

And since his diagnosis we planned

    dining, once a month,

While time allowed, though Death’s Pandemic spree

    put paid to that.

Jon was just a sideshow to the Grand Covid Parade,

    a small pernicious instant

Of what, we agreed yesterday,

    is always, always coming.

    Always will.

It’s still cracked the World to pieces,

    the shards whining back to ricochet

Through decades,

    then forever.

Plague Songs - Stop The War by Rich Hobbs

Our friend’s son Meyer works for
                 Stop The War
So when I asked him once,
                 Stopped any good wars recently?
Thankfully, because he works for
                 Stop The War
He didn’t start one then & there
                 And strike me dead.
It’s for these tiny mercies 
                 We should be truly grateful.

Plague Songs - Have You Done The Covid Test? by Rich Hobbs

Have you done the Covid Test

        The Covid Test

        The Covid Test

Have you done the Covid Test

    I did one just last week

Had the shits and a fever too

        100! Phew!

        In bed! Who knew?

To be safe & be thoughtful too

    I ordered one online

I’ve had Covid but you don’t know

        Another throw

        Could strike me low

So best to give a test a go

    It turned up the next day

Stuck a swab straight down my throat

        Past my tongue’s moat

        Gagged like a goat

Then stuck it up my nose to coat

    The swab in mucal slime

We bagged it up - this wasn’t easy

        Feeling queasy 

        And slightly wheezy

My guts churning like the Zambesi

    And then posted it back

My Covid Test was negative!

        I’d been a div!

        But now I’d live!

For such a chance, what would they give,

    All those they never tested?

They never had a Covid Test

        Were not blessed

        Were second-guessed

And so were sent unto their rest

    Thousands upon thousands

By liars, cranks, cowards and thieves

        A family grieves

        A mourner leaves

Death ever gathers in the sheaves

    Just never forget.   

Plague Songs - The BBC’s Fucked Me Around For More Than Forty Years by Rich Hobbs

The BBC’s fucked me around for more than forty years

Since, just left school hired as a clerk, I found these racketeers

Refused to pay holiday pay, contractually mine,

Saying “Not standard practice”, the double-dealing swine.

Then - this was in the 70s, so please let this bit pass

As indicative (though then, as now) of the corrosiveness of class -

When I got that ballsaching job, stuck in Data Control,

I’d said, “I’m off to Cambridge”, just to show I was no prole,

For this meant then (might still do now), although it’s a class crime,

I’d be Director General in about two decades’ time,

With in between vacation jobs, then trained as producer...

Except! Because I’d made a scene, said “You’re in breach of contract!”

When I phoned up the following year, to refresh the contact

And said, with bland assurance, “You got any jobs going?”

I was answered almost instantly, “We have nothing here showing

You’ve ever been employed before within the Corporation”.

It was only 25 years later, with some exasperation

A lefty hack explain the cause of this rebuff; insisted

That my “trouble-making” meant that, aged 19, I’d been blacklisted.

    Time moved on; I started drawing stupid pictures for the papers

Depicting politicians and their various vile capers,

The kind of chap I think you’ll find, with charm and - hem - some flair

Can enable most broadcasters in the filling of dead air.

That Christmas tree embossed upon my Corporation file

Seemed to pose no problems when I’d find, once in a while,

A breathy young researcher would phone up and ask, “You funny?

Can we book you for this evening for 10.30? There’s no money.”

I did the politics shows, Radio 1, the Arts: a slow graph

Will show my stock rise higher; then I did a show on Hogarth

To mark his tercentenary, drew them Hogarth’s Roundabout

In the Style of the Master! The producer, some bounder lout

Cut the drawing, my masterwork! I said, can you return...

They cut me short and said “We own that now! You never learn.”

So in the end I bought it back; paid those cunts back my fee,

One of the ways that I’ve been fucked up by the BBC.

    The other ways are legion, like my surname mispronounced

(It’s not much, although far better men than I am often flounce

Out of prime time interviews because of lesser slights);

Sighed over freelance contracts where my soul’s bought with all rights

To be held in perpetuity, or they don’t pay me at all,

While expecting our blind gratitude, awaiting their next call,

Or when I did a nice thing in that nice post-lunchtime slot

On Radio 4. I interviewed celebs & drew the lot,

But when I said “Let’s get George Osborne! He’ll pose for a sitting!”

They said “He’ll never do it. Who do you think you’re shitting?

But tell you what. We’ll pull some string and get Farage instead!”

At which point I damn nearly walked, hissing “God strike me dead”.

(For the record, Osborne responded, with no profanity,

“Please draw me!” You can never plumb these arseholes’ vanity.)

When they rebroadcast that show (although no one had told me)

I jovially asked my producer: Is there a repeat fee?

She forwarded her editor’s response, which said that I

Must never get another penny for it ere I die.

    These are, I know, small grumblings. You’d never guess I’m born!

But after 40 years of tiny fuck-yous, you get worn.

And don’t forget, the BBC has spent nearly a century

Insisting to our nation certain truths are elementary:

We all love Sport - yes, all of it - and we all love the Queen;

That creation is best nurtured through a badly oiled machine;

That every great drama simply must feature a cop;

That management’s like cess pits - the shit floats to the top;

That Northerners are funny; that everyone loves cars;

That there’s never any money (except for bargefuls of the stars);

That the BBC is riddled with lefties of all hues,

So subtle that the bastards have hidden all the clues;

That everyone needs telling, save for those who should be told;

That cowardice will guarantee your chance of getting old;

That a vast craven bureaucracy shows Britain at its best;

That now on Gardeners’ Question Time, hell! Farage is the guest!

So if you weigh its pros and cons, recorded on your jotter,

Judge it for the times it banned the plays of Dennis Potter;

For the way it offers “balance”, although you’ll be bereft

If you think that balance means you’ll get fair hearings for The Left;

For the way this crew of Wykehamists think UKIP owns our hearts;

For the way each frightened DG jumps each time Lord Reith’s ghost farts;

How it’s shilled for the Establishment since the General Strike;

And how it often broadcasts utter trash that I don’t like...

    And yet, and yet... The BBC, in all its tattered shame,

    When targetted by Tories to get kicked and take the blame,

    When Murdoch and the Daily Mail so hate the BBC,

    Oddly, that’s when I hear myself say “The Dear Old Beeb is fine by me!”

Plague Songs - At The Warhol by Rich Hobbs

The Art Cathedral’s now reopened

And us lax sinners are admitted, slowly,

To the shrine, to gawp in studied reverence

At massive icons, now familiar as fossils,

Every last shocking atom of warm splattered flesh

Long since replaced by cold, hard sedimentary rocks of awe.

Improving catechisms on the walls remind us

Why we genuflect, and they’ve even done a reliquary 

    By the exit, full of Andy’s Wigs.

Though, shuffling in our masks,

It also starts resembling 

A bad Venetian Carnival,

Put on by a prosaic doge,

Slashing costs in Plague Time,

The kind of Saturnalia

No one ever yearned for

In high dreams as they queued up

Outside of Studio 54

    Buzzing in a blizzard.

Still, on the way there, Compostela-ing 

Towards the station, I mentioned how,

Back in the 70s, it seemed for weeks 

The nation was convulsed with rage

About a show on ITV profiling Warhol;

Mrs Whitehouse and the McWhirter Twins

Armed to their crooked teeth with righteousness

Behind their barricades of bibles, 

Battling for our souls to guard

Our morals from this Tide of Filth -

    What we had, when I was young,

    Instead of on-line lynch mobs

    Gibbeting each fresh affront

    To everyone’s hairtrigger tears.

Rose sighed and with facetious genius said

“I wish that I could go back to the 70s,

The Time Before Lies.” I laughed.

“They lied then too,” I lied.

Plague Songs - Urban Renewal (after Luke Wright) by Rich Hobbs

Past the houses that used to be boozers,

Near the nurseries that were once khazis

And the wine bars transformed from urinals

And the banks become bistros, then past the

Isolation wards razed for homeowning

In estates built where once they fought typhoid,

Boiling rags to beat tuberculosis,

Beyond cinemas long since sans celluloid

Converted to warehouse-size boozers,

Warehouses done up as apartments,

Whole high streets bricked over as house fronts,

Retail parks bricking over escarpments,

Railway arches now filled with ceramicists ,

Post Offices turned into ‘Spoonies

By canals lined by workshops, now studios,

Where the sun never shines where the moon was,

    They’re going to build slums out of face masks

            Slums out of face masks

           Slums out of face masks

    They’re going to build slums out of facemasks.

Plague Songs - Beavers on The River Otter by Rich Hobbs

The beavers on The Otter got all antsy

That there weren’t otters beavering away,

Just gulls getting badgered,

And badgers getting gulled,

Dogs hounded, and I heard some hounds were dogged.

Apes monkeyed about; the monkeys aped them,

But then got foxed into ferreting around,

For a thing squirrelled away,

When they’d  piggily hogged out

Wolfing the lot, despite their weasel words.

Some groused of being goosed. What larks, they parroted,

Then took a gander craning at some shagging,

The chickens never quailing as

They crowed and ducked the cocks,

Swanning around and wondering who’d swallow.

They finally stopped sniping and then they carped no more.

What bugged them in the end made them clam up.

The reason they were crabby

Was they’d earwigged someone yakking

About beavers on The Otter getting antsy.

Plague Songs - False Dusk by Rich Hobbs

In poor Beirut, spatchcocked and

And fated on a faultline

   To the Omphalos,

      The keystone to the madness of too many crowds;

         Broken, seemingly, on concentric, counter-spinning wheels -

           Of God, sects, avarice, theft, revenge and power -

     And this time half-Hiroshima’d by cutting corners,

               Half-arsed “this’ll dos”,

                  The next last step to

                    Who cares less, itself a weary stumble

               Before let’s not even bother breathing,

I once saw, nonetheless, three different metaphors

Of Towering Hope in tiny, random things.

For if you walked, like I did,

Along the Corniche in September,

   Around lunchtime, walking westward,

      To your right, beyond the railing, between Corniche

        And the steaming sea, on the jagged rusty rocks

           Sat burqua’d loreleis, knees mermaiding on thin, bright towels,

     Picnicking as their thin-limbed laughing children

Leaped screaming, splayed like lemurs, to evade the spikes of vulcanite

  And splashed into the sea.

Meanwhile, to your left, once you

Looked away from simple human love,

   The seafront’s battlemented by vast apartment blocks

      Designed to block and then monopolise

        Beirutis’ vista of that brindled sea still 

          Stretching out to Sheba

             Which quinqueremes once crosshatched,

                Classically globalising

                   Cedar, dates and sandalwood, the previous iteration

                     Of the luxury goods, the Louis Vuitton tribute

Now encumbering the last elites, now

   Penthoused in these Dubai watchtower stacks.

In consequence, a walk along the Corniche

Got turned into slow motion strobing, a lethargic

    Kind of crowd control to bring on nausea and disorientation

      As the flats eclipsed the humid sun 

        And every twenty steps, for twenty more you 

          Passed from dazzling glare to moneyed twilight, and

             Shuddered slightly at the sudden cold.

Except, of course, that this is a 

  False Dusk.

The bullet holes still peppering the Lido’s changing rooms,

  The wreckage, as I write, still smoking 

    From the docks, the Stalingrad they wrought

       On the urban battlefield along the Green Line, (by then

          Rebuilt as high end retail to lure in rich thugs

             From The Gulf), the hatreds of Millennia

               Hosed with geopolitics and petrodollars,

                  The Playground of the Med poleaxed

                     Into an amphitheatre for unquenchable confessional hegemonies,

                        Each ratchet down,

                          The turn of every screw,

                             Every floating final straw,

Nonetheless, is still really

  A False Dusk. 

     The pavement’s  

       Glowing up ahead,

          Even though you clearly see 

             The Stygian shadows stretch again

                Shortly beyond,

                   Before the False Dusk

Fades away once more to

Laughing sunshine.

And six months after I’d escaped

The Corniche’s False Dusks,

   On my next trip I saw perhaps

     The most purely joyous thing I’ve ever seen.

        In the hipster bar off Hamra on the westward

           Drag to Hezbollah’s desmesne, run by 

             By the Commie Saudi, I watched young Arab

               Comic book creators dance,

                  Swaying their arms that Arab way, 

                     Like golden fronds of seaweed floating up

                       From some Phoenician shipwreck; dance

                          To other Arab comics artists performing

The Clash’s “Rock The Casbah”

  In Arabic. My heart still sings with joy. 

And while the dusks, in all their darkness, won’t ever stop falling

Dawns, you’ll find, have kept on coming up.  

Plague Songs - Meal Deal by Rich Hobbs

“Supersize me!

Supersize me!

Dupe a group to be downsized! Wheee!

Mea culpa wisely,

Hoop a prize, the

Thrill when ships of troops capsize! Flee

Snoops! Arise! Free

Cooped-up guys! Be

Cock-a-hoop you will demise, see?

Supersize me!

Supersize me!

Supersize me!

SUPERSIZE ME!”

    The trainee flinches

      Death cranes forward

        Drools from long, tan teeth,

           Sugar rush flashes yellow

               In the sockets where the

         Spiralling eyes should be

“SUPERSIZE ME!

SUPERSIZE ME!

SUPERSIZE ME!

SUPERSIZE ME!

    I’ll have the Second Wave

    With extra flies.”

Plague Songs - The softness of our daughter’s heart by Rich Hobbs

The softness of our daughter’s heart
Never fails to break my own
The way she bawls her eyes out at
The nonagenarian’s tram seat fixed
On dumb & mawkish tv shows,
The way a cartoon scene can trigger
Yowls of anguish from almost her whole
Lifetime ago, and how she soaked her mother’s skirt
Watching her favourite film, from Anna’s lap,
      “The Little Princess”
When Rose, I guess, was roughly 8 years old.

Considering I’ve watched her flay grown men
With less than seven slashes of her tongue,
I ceaselessly stand back in awe
Of her infinite versatility,
Just another reason why
       That girl is bloody wonderful.

Plague Songs - Cabinet Haikus by Rich Hobbs

Boris Johnson, oh

Christ All-bollocking-mighty,

Here’s Boris Johnson.

Rishi Sunak’s head

Is too big for his body.

Teeth outgrew his mouth.

Dominic Raab’s face

Mirrors his charisma like 

A bruised soft palate.

Michael Gove squats and

Makes the other gargoyles puke

More than rainwater.

Priti Patel? What

The actual fuck is this

Mad moron up to?

Williamson! He’s

Wiry! A shopping trolley

On three wobbly wheels.

Grant Shapps smiles, then he

Looks puzzled, then he’s solemn.

Boy with three faces.

Robert Jenrick sports

A phantom bounder’s moustache

Above Bunter lips.

Jacob Rees-Mogg. God!

Spats strapped round an umbrella,

Monocle each eye.

Dominic Cummings’

Rapist’s track suit pants. Fixed sneer.

A nation winces.

Who are the rest? Who

Cares? Spare my soul from stains of

Mediocrity.

Plague Songs - Bigger Bastilles by Rich Hobbs

FREEDOM! For which we all must yearn!

    Although it seems we need to learn

What Freedom is, what Freedom means

    To separate us from machines.

Though life’s a bitch, and getting bitchier

    As the richest rich get richier

Our politicians grow more feudal;

    Their cops, to bend our knees, more brutal;

Society gets more unequal -

    Even our shit’s become more faecal! - 

To fight against the Nanny State

    Demands that everyone relate

(Say columns by Fifth Colunists,

    Tossed off by their aching wrists)

To FREEDOM - to do just as you please,

    Be a racist, spread disease,

Defeat The Woke, catch the Zeitgeist,

    Divert attention from the heist,

Defy the lockdown, go to raves,

    While cops protect you from your slaves,

And scream and whine and howl and blow

    Your lord to save the status quo,

To smash the state but save the realm,

    While lashing fascists to its helm,

Free rohypnoling on the pull,

    Free to keep the prisons full,

Freedom not to tax the banks,

    Or disinvest from building tanks,

Mocking thoughts of a better way,

     While securing the getaway,

And free to order in the bailiff -

    Why Freedom’s struggle aught availeth! -

Drink Freedom til you get cirrhosis!

    Because Freedom’s Apotheosis -

It’s just like in Fidelio,

    Like shooting capercaillie! Oh,

THE FIGHT FOR FREEDOM’S GREATEST TASK

    IS NOT HAVING TO WEAR A MASK!

Some say this makes me look suspicious,

But couldn’t they be more... ambitious

In their Liberation Struggle?

Because I think they’ll find the rug’ll

Be pulled while they’re clicking their heels

When others storm bigger Bastilles.

Plague Songs - BOYCOTT THE GUARDIAN! by Rich Hobbs

BOYCOTT THE GUARDIAN!

    Because it’s changed

BOYCOTT THE GUARDIAN!

    Because it’s changed its font or something

BOYCOTT THE GUARDIAN!

    Because I wouldn’t read that stinking fascist rag in a hundred billion years and why would you want to be anything except just like me?

BOYCOTT THE GUARDIAN!

    Because it’s just there on the side so it’s easier than having to look for something else to boycott. That make sense?

BOYCOTT THE GUARDIAN!

    Because otherwise it’ll only be boycotted by Tories and non-Guardian readers and THEN how do you think you’re going to feel?    

BOYCOTT THE GUARDIAN!

    Because everyone in the World immediately does exactly what it tells them to so sinister and fiendish are the ways of the Main Stream Media!

BOYCOTT THE GUARDIAN!

    Because I once saw it for sale in a newsagents literally in the same street as a steak house where, and this is literally true, they had SERF & TERF on the menu, and I’m not even making this up!

BOYCOTT THE GUARDIAN!

    Because if you read it backwards it says Vote Tory Kill Foxes and they pretend it doesn’t!

BOYCOTT THE GUARDIAN!

    Because it reviews restaurants and is therefore dripping with privilege!

BOYCOTT THE GUARDIAN!

    Because my principles and opinions will be more than adequately reflected and amplified by The Daily Telegraph, The Tatler and Horse and Hound thank you very much I’m sure they will

BOYCOTT THE GUARDIAN!

    Because secretly we all want Owen Jones to starve

BOYCOTT THE GUARDIAN!

    Because I’m SO ANGRY I’m going to burn my bloody house down and I’ll start it with this copy of The Guardian and then The Guardian will be a murderer and an arsonist AS WELL!

BOYCOTT THE GUARDIAN!

    Because somebody has to

BOYCOTT THE GUARDIAN!

    Because they won’t let you say anything these days!

BOYCOTT THE GUARDIAN!

    Because the guinea fowl crossed the boulevard to eat some quinoa la-de-fucking-da!

BOYCOTT THE GUARDIAN!

    Because it didn’t say anything nice about my new shoes

BOYCOTT THE GUARDIAN!

    Because it didn’t thank me for the postal order I sent it for its birthday

BOYCOTT THE GUARDIAN!

    Because it wasn’t there to hold the hair out of my eyes that time I threw up on the pavement outside the mobile library the morning after that session with the sambuca and benylin shots, remember?

BOYCOTT THE GUARDIAN!

    Because that cartoon of Jeremy’s hat is directly responsible for the existence of food banks in this country!

BOYCOTT THE GUARDIAN!

    Because it stopped a Labour Government being elected by literally sending Polly Toynbee and Jonathan Freedland to block up all the ballot boxes and blow up all the polling stations and chop off all the little orphans’ voting hands for fuck’s sake!

BOYCOTT THE GUARDIAN!

    Because they stopped Jeremy turning it into nutritious gluten free vegan veal to feed the 5000, the Tory pigs

BOYCOTT THE GUARDIAN!

    Because it’s a deadly danger to everyone in the vicinity. Run for your lives!

BOYCOTT THE GUARDIAN!

    Because it’s such a load of liberal rubbish they’ll make you wear masks made out of it but it’ll be too wishy-washy and rubbish and you’ll die of Covid as a direct consequence because it forced everyone to vote for this Tory Government at gun point, the rubbish guns made out of recycled sandals and the bullets made of lentils, right?

BOYCOTT THE GUARDIAN!

    Because if you don’t they’ll compel you to get all the other things you don’t want and before you know it you won’t be able to move for pre-fab abattoirs and gaggles of Canada geese and life-size blow-up dolls of Dominic Raab!

BOYCOTT THE GUARDIAN!

    Because basically it’s just the Daily Mail translated into French and then translated back again, badly

BOYCOTT THE GUARDIAN!

    Because how are ordinary decent people who are forced to read The Guardian like in that scene from A Clockwork Orange meant to find the ingredients for a Yotam Ottolenghi Tuscan quiche? Well? You fucking genocidal bastards!

BOYCOTT THE GUARDIAN!

    Because to be brutally frank it’s not the paper it was when I first started telling you to

BOYCOTT THE GUARDIAN!

BOYCOTT THE GUARDIAN!

BOYCOTT THE GUARDIAN!

    Because if you rearrange the letters in its masthead and change a few of them, you’ll find it spells “HITLER”.

BOYCOTT THE GUARDIAN!

Plague Songs - World Day Day by Rich Hobbs

Today’s it’s World Day Day,

A special day to mark

Our Earth’s diurnal round,

To honour the quotidien

Where everyone can celebrate

By getting Twenty-foury!

Make 24 new friends,

Plant 24 new trees,

Dream 24 fresh plans,

Earn 24 more scars

Although sadly, from Victoria

In Australia

Via Vienna to Valparaiso,

The celebrations, on the hour,

The kids’ events, each minute,

And the son et lumieres at dawn and dusk

Have all had to be cancelled

    Due to Covid

Plus, to be honest,

    Complete worldwide indifference.

It’s fared better though

Than the International

Month of the Month,

Whose organising committee,

Made up of 

Chronologists, astrologers and

Calendar printers from all the nations

Convening in Tblisi,

Once they’d voted down

The motion to rebrand it all

As a Memorial Month for Menstruation,

Proceeded to break up into factions,

The Thirtyites screaming imprecations

    At their Thirty-Oner foes

Before a tiny splinter group of

Twenty-Eightist terrorists planted bombs

And slew their now all-male, blue-suited

Fellow delegates and now,

Ironically, after they’d stormed

The Palais de la Paix,

Still languishing through more uncounted months

In a desert prison camp

While their respective Governments

Wrangle an agreement

    On the charges to be laid.

Happily the United Nations’ Year Year

To honour the affrighted globe’s

Annual orbit round our fiery sun,

Swinging round in never ending circles

Like a sick and drugged-up wombat on a leash,

Has gone ahead as planned,

With some obvious curtailment

    Due to Covid.

Though frankly, the joy’s drained from it, 

Even from the ferocity of adherents

To various faiths’ alternative New Years

So when a family street party up in Bergen,

Though unlicenced, had sought

To join in the official fun

But just got tear-gassed by the cops instead

No one,

Not even the most bat-shit crazy libertarian

Cared less.

Indeed, hiding masked inside out homes

Almost all of us agreed

The earnest nerds

    Deserved it.

Plague Songs - Fever Dream by Rich Hobbs

I dreamed I saw Charles Moore last night

Alive in a bed sit

    But Charles, I said,

    That Kingsized bed,

However did it fit?

    However did it fit?

He said with a patrician drawl

This is no den of vice

    But Crisis looms.

    This tiny room’s

My pompous sacrifice,

    My pompous sacrifice.

That dream is true, as lucid as

My dreams since I was small

    Which often fake

    Being awake.

Seems I’ve not slept at all,

    I’ve never slept at all

A weird and teeming world of things

That aren’t and couldn’t be

    While I’m asleep

    Furtively creep

Into my memory

    Of this world inside me

Jump-cutting logic my dreams serve

To scare stiff, or delight,

    Their clarity’s

    Disparity

Entertains me in flight

    As I fly through the night

But when I had Covid-19

A fact that’s now confirmed

    My dreaming mind

    Began to grind

As feverishly I squirmed

    And dullness inwards wormed.

The dream I had remained the same,

Repeated all night through:

    A rock, white, round

    Stuck to the ground

And a line I drew

    That was all I knew

I’d drawn the line with felt-tipped pen;

According to my brief

    It must be shown

    Beneath the stone.

Dreams weave their own belief

    But this brief brought me grief

To draw a line beneath a stone:

To get this job complete

    To get the line

    To undermine...

That’s it: fade and repeat;

    Again, fade and repeat.

The line undrawn, the stone unmoved

No way to expedite

    This task some way;

    I press replay

Ten thousand times each night

    Ten thousand times each night

I don’t care what this dream might mean

Or even whether it’s

    Some shit that Freud

    Would best avoid

From my subconscious pits.

    Avoid analysis

And tell me why this virus might

In its murderous schemes

    Destroy the wonder

    Through which I blunder

Each night in my dreams,

    Even kill my dreams?

And tell me, in that Shadowland

We go to as we slumber

    And keep well hid

    Inside the Id

Are there dream dead without number?

    Our dreams no more to encumber?

Can we be locked down in our dreams

Can dumb disease go creeping

    To isolate

    Us from those great

Adventures we have sleeping

    Adventures when we’re sleeping?

I’m lucky, because I woke up.

My Big Sleep? It’s postponed.

    I live, to sleep

    To let things creep

Through dreams to get me honed,

    Things that God never owned.

Plague Songs - Lines to My Dead Virologist Father by Rich Hobbs

Now at last I feel that I can look your spirit in the eye

Now that at last the thing that poleaxed me back in January

Has been nailed down by a pin prick as the main event, the Plague,

That pig that left me sweating in freezing fits, embalmed in bed

In sulphurous miasmata, my joints like broken walnuts,

With hogtied eyeballs and less energy than dissipating smoke

Slowcooking me to Brexit Day, Pandemic’s damp squib warm up act.

    Now at last I know it’s Covid, I can know that you’d be proud,

Proud in your quiet, unassailably determined way,

The way you were when I was eight and my endemic sore throat

Was, you proved, Coxsackievirus, by thrusting swabs deep down my throat 

And drawing what seemed ponds of blood for growing cultures in your lab,

Also you’d be proud, I know, that I was in the avant garde,

Trend-setting and van guarding the whole farce by getting iller

Than I had for fifty years or more, than when I’d had Coxsackie,

Fashionably early, struck down when our ministry of cranks was

Still too busy wanking about wrong types of isolation,

Back when the only vector was to be some foreign other

Back when they wouldn’t test you til you’re cradled in Death’s radius

    Since when I’ve told the whole world how my virologist father

Would be laughing now hysterically at their hoarded folly.

    So I know the pride you’d feel in your adopted boy’s infection

Is bounced directly back, although you’re now sixteen years dead.

    And I repeat to all who’ll listen how you told me in the 80s

When you’d overseen an autopsy on Britain’s second AIDS death

That epidemiologically you thought AIDS was a dull disease

And that, getting down to basics, nothing that you couldn’t catch

Standing fully clothed at a bus stop in broad daylight

Is all that much to worry you, if you take small precautions

But naturally, you added, the Establishment (the medical

As well as the political) assumed they’d smashed Infection

So the Isolation Hospitals sentinelling every town

Were closed, and as we spoke, now forty years ago, were bulldozed

To build neat estates of Barratt Homes, kindling Thatcherism,

Pump-priming the whole floating world of buy-to-let and outsourcing,

The neoliberal fantasy of privatising track and trace,

The brittle hollow edifice that’s left us 60,000 dead,

Tsunamied by a dream of greed, a fresh Somme for the veterans,

As if they’d built their New Jerusalem on a burial ground,

An uncleared Native Burial Ground. Yes, just exactly that.

    And now at last that I can look your spirit in the eye

I see it twinkling because now we know we bloody told them so.

Plague Songs - The Besieged Citadel by Rich Hobbs

In the last Act of the Civil War

When the citadel must surely fall

And the plague ran through its sentinels

The king declared war on The Moon

To  prove he was a lunatic.

The sentries who jarred every midnight

With screeches from the battlements

That spies had made screeching illegal

And who then threw away their helmets,

Screeching helmets stole their freedom -

    The ones, that is, who didn’t drop in droves

Beneath the arrows and ballista bolts 

Hurled by the besiegers - therefore opened up

A Second Front throwing pebbles at The Moon

    While screeching at its sickled provocations

Beyond the dried-up moats and chewed dogs’ bones

Of the citadel that must surely fall

Its besiegers glowered with envenoming suspicion

At their comrades, hunched to right and left along the trenches’ length

Waiting to be triggered in an instant

To a fratricidal frenzy by a random misjudged glance. 

Behind the lines another towering siege engine

Would topple now and then as weeping soldiers,

Affronted by some minutiae of hub design, 

Would smash the axles in their fury.

Though it must surely fall, the citadel

Still vibrated underneath each footfall,

Its walls now mostly roots and fungus whistling in the wind,

The gates all long since bricked in, an Empire

As a last redoubt, a few enclosed and shitty acres

Of mossy,  mouthy, mean mannered dementia.

And should any future Fortinbras

Be bothered to turn up to torch

The citadel, of course it never fell, and on 

The battlefield they’d find

The combatants on both sides, mummified

By gentle breezes, slumping at their stations,

Arms filled up with bluebells growing through their tunics,