Plague Songs - Dancing with Death in Zurich by Rich Hobbs

For Nyta, in loving memory

Yesterday, two years ago

When I kissed you goodbye

    You said

    “See you”

Then laughed and said, “Oh, but I won’t!”

You’d play us all, by then.

We’d done just what you wanted

    But I’d

    Not seen

Anyone who’d wanted something more.

I left to catch my flight,

My one regret: me leaving

    Before

    You did.

My fellow stooges went the final mile.

These days Death’s date-raping

A trail through every dance hall.

    Back then

    You stood

And took Death’s proffered boney hand,

You kicked away the wheel chair,

Shrugged away the M.S.

    And danced

    For joy

Held close, dancing cheek to cheekbone

Under the scorching mountains

Gavotting out of life

    You danced

    Away

Silhouetted by the lake

While we co-conspirators 

Hugged the wall like schoolkids

    At the

    Disco

Too embarrassed and appalled to move.

And I still don’t know if

It’s the best or worst thing

    I’ve done

    Or both.

All that I know for sure is this:

Yesterday, two years ago,

I laughed too, and answered

    “Bon voyage!”

    Joking

Hallmarks should sell cards for just such things.

Plague Songs - Ghosts by Rich Hobbs

All of us must wade through ghosts

As we navigate our lives

Thigh high through the thunderous breakers

Almost pulled under by the tides

Up to our knees fording the swamps

Over our boots in sucking marshes

Soaking our socks with freezing splashes

From milky puddles in the grass 

The ghosts now trail behind like cobwebs,

Then bridal trains, frayed in our wakes,

These memories of vague acquaintance

Lovers, mothers, teachers, mates,

Who snag like ivy round your ankles

Or billow up in puffs of dust

And sting your eyes like pollen downpours

Then wind you with the endless loss

They’re just our atmospheric pressure,

These ghosts of everyone we’ve known

And if you Muybridge any of us

Capture each instant on its own

Then restart Time, you’ll millipede us

To weave endlessly through the mist,

Plaited with their ectoplasm,

Congalining with our ghosts.

Because, whichever way we grieve them

And euphemise they’re lost or passed

The truth is we can never lose them

Because they’ll haunt us to the last

Tugging each spare spur of memory

In our head’s mad Brownian Motion

Scuffing at our hearts like emery

Tossed upon the ghostly ocean.

Plague Songs - Banarnia! by Rich Hobbs

Come on, chaps! Let’s rename this land Banarnia!

Just one wardrobe away to that lamp post!

    What the snow hides is obscene

    In the Realm of the White Queen

That magic country ruled by dreams of ghosts

Push past those mothy costumes to Banarnia,

Frost glistens on the statues every night!

    Intellectual callisthenics

    Disguise our lords’ eugenics

As they chomp Arbeit Mach Frei’s Turkish Delight

Just click your heels three times - you’re in Banarnia!

Flying monkeys fill the skies, and no one’s certain

    Which one of these is pervier:

    Bananas getting curvier

Or wizards fiddling behind the curtain

Mists roll away and there it is - Banarnia

So historic its past just keeps getting pastier!

    Our weak sun is getting shinier

    As everyone gets whinier,

And moanier and bonier and nastier!

Crashlanding in Tibet? You’ll find Banarnia!

That long lost valley of eternal youth

    Where nobody grows old

    In our care homes, so I’m told

Our secret being, never tell the truth. 

Climb that magic beanstalk to Banarnia!

Where giants stand on stooping midget’s shoulders,

    The golden goose’s eggs are guano,

    And we drink Americanos

While everything around us slowly moulders

Fall down the rabbit hole, next stop’s Banarnia!

Once we were big, and now we’re very small

    But because we once fought Hitler

    We can’t see we’re getting littler,

Cards and jokers tell us we’re so tall

Jump through the looking glass - you’re in Banarnia!

That crazy place where all is back to front!

    And you can make up your own truth

    Lynch the wimps demanding proof

Stirred by a farting walrus’s each grunt!

The blue birds sing, there’ll always be Banarnia!

Where we’re sat on our big fat white bums

    Thinking we’re Queen Titania!

    So fuck off, Michel Barnier!

Banarnia! Where Christmas never comes!

Plague Songs - Mask of the Red Death by Rich Hobbs

Now here’s your task:

    Wear a mask.

It’s no big ask:

    Just wear a mask

Knock some wood out of a cask

    Cut out the eyes

Then wear the mask!

Wear a mask

    Wear a mask

Calm down mate

    Yes, drain your flask

When you’ve finished

    You can bask

In our envy, but I’ll ask

    Again

Just wear a mask!

Wear a mask!

    Wear a mask!

Wear a mask!

    Wear a mask!

No, you don’t look like a Basque

    Or some cunt from Krasnoyarsk

Just wear a mask!

    Wear a mask!

Wear a mask!

    Wear a mask!

Now’s the last time that I’ll ask it!

    Wear...

Oh fuck it! Wear a casket.

Plague Songs - Cancel Culture by Rich Hobbs

You’ll be like a Roman Consul,

Like a strutting, lairy gunsel,

Fixed with aria-belting tonsils,

With lead put in your pencil,

A headwind in your mainsail,

Like a pirate on his fo’c’sle,

Feel like vassals storming castles,

You’ll be pounding like a pestle,

It’ll tie knots in your pretzel,

Your engine’s gonna whistle,

Your dorsal is colossal,

You’ll be bedecked in tinsel,

Music surges, like in Purcell,

Just feel your bulging muscles

As you bristle like a schnitzel,

Plus you’ll drive like Nigel Mansell!

    Simply cancelling an Incel feels that good!

Are You Ready For Brexit?

The combine throbs and idles at the crossroads

    The reapers climb down going house to house

From shop to pub they pick their ways through litter

    Til a trod on empty tinny makes one jump

Giggling embarrassed on the eerie pavement

    Bends to pick up his still jangling scythe

The leaves spurn sunlight on the crumbling wall

    Beyond the harvest, towards the manor house

Before which, on the lawn, the posh boys hunker

    Around the crate, to lure their hellhound out

They coo and pet and stroke the slavering monster

    With itchy stumps where once their hands had been.

Plague Songs - Hum by Rich Hobbs

Frankly, this is none of your concern

And anyway, I quite resent the notion

    That this medium is just

    A doorway in a ghetto,

    Giving entrance to a cramped

Backstreet confessional.

But nonetheless, the fact that I’m adopted

Hums constantly, so constant

    That almost always

    I’m left blithely unaware.

But it’s like Lemn Sissay says,

Upbraided by his circle for

    Obsessionally stalking

    Any mention of himself

    In any medium:

Without the third-hand evidence

    How’s he meant to know

    He’s even here?

Likewise, it’s often happened

That I’ve glanced at a shop window

    Seen my own reflection

    And, for a nanosecond,

    Wondered:

Who’s that there?

It’s no big deal, and anyway

I choose not to repine

    Straddling, like everyone,

    The chasm between joy

    And cataclysm

With the best part of the pleasure of it

    Acknowledging

    The fault’s all mine.

Still, whether due to careless lust

Or being overwhelmed by this whole world

    Or browbeaten by

    Respectability and

    Pious eugenics dressed as

Good intentions, bathing babies by

The bucket load in great redemptive sploshes

Of embourgeoisement

    I think a thread attaches us somehow,

    A ghost-thin freemasonry

    Of once-upon-a-time

Abandonment.

And I speculated just last night

That maybe, like the dead or yet unborn

    At some Platonic level

    We all were once outside of Time

    Waiting to be wanted

In a place before the kindest people in the world

    Tied their new knots.

And there we lay, in cots, in rows, in

Halls beyond any perspective sense

    Me, two of my sisters,

    My friends Andy, Luke and Nick

    And further on

There’s Aristotle, the Emperor Augustus, 

Mandela, Moses, Eartha Kitt, Ice T

And Edgar Allen Poe and millions more

    Just rank on rank on rank

    Beyond the Physical

Unconsciously anticipating an inspection 

That might reboot our lives

    Which somehow welds each one of us to all.

Then, twelve cots down,

    Fuck me!

        It’s Michael Gove!

Plague Songs - The Things I Choose To Prophesy by Rich Hobbs

It vexes like an itching eye: what’s next,

What  future is foretold in teacups’ dregs?

But prophets simply second guess the scythe;

These are the things I choose to prophesy:

    A second wave, harbingered by dark stars;

    Boris Johnson loses all his hair;

    Howls all night, as if nailed to a cross;

Matt Hancock’s in a care home in a pool of his own piss.

All prophets simply second guess the scythe;

These are the things I choose to prophesy:

    A third wave comes, and then a solar flare;

    It fries the Internet, and yet before

    Self-righteousness pours forth by telegram

At twelve dollars a word the mob gives up and all is calm.

All prophets simply second guess the scythe;

These are the things I choose to prophesy:

    Zuckerberg’s convicted in The Hague;

    Putin, Xi and Trump, all in a cage;

    Without the crooks and nuts The State’s all done;

(After the Crass yet brief Dictatorship of Owen Jones).

All prophets simply second guess the scythe;

These are the things I choose to prophesy:

    Fourth and fifth waves; unharvested crops;

    Debts stay unpaid and soon the banks collapse;

    Worldwide Debt Jubilees follow thereafter

With the new Crofting Economy and Universal Barter.

All prophets simply second guess the scythe;

These are the things I choose to prophesy:

    Six, seventh, eighth, ninth, tenth, eleventh waves;

    A Peace Conference with the Virus is convened;

    Our reparations? We must now behave

And, as in Narnia, statues of good people come alive.

All prophets simply second guess the scythe;

These are the things I choose to prophesy:

    The present locks our hopes in sequestration;

    The future muffles all echo-location;

    Yet still the past compels our souls to hanker

So push on blindly into Time: it’s there for us to conquer.

All prophets simply second guess the scythe;

These are the things I choose to prophesy.

All prophets simply second guess the scythe;

These things can be woven in; they’ll happen by and by.

Plague Songs - The Hard Faced Men Who Did Well Out Of The Pandemic by Rich Hobbs

Here come the Hard Faced Men who 

    Did well out of the Pandemic!

     Buying shrouds to sell as facemasks

    Pitching Apps to measure clapping

    Sat on bodies doling dosh to

    Other Hard Faced men so busy    

    Gulling ministers with bullshit 

    Filling forms on who to furlough

    Shifting money further offshore

    Scraping spunk from off the bedsheets

    Of twelve million locked down wankers

    To sell as protein supplement

    To the clients in the care homes

     To increase the profit margins

    When they moved into the sector

    When things looked at their darkest

    Bottom fell out of the market

    With a mark up on the caskets

    Cornering the market

    With a smell of burning rubber

    Like the smell of crematoria

    And you’ll never buck the market

    No you’ll never buck the market

And here come the Hard Faced Men

    Who did well out of the Pandemic!

        Mark them well.

Plague Songs - The Creative Industries by Rich Hobbs

Then after that there came the sudden rage

For Pandemic Nostalgia,

The way you get to dampen down

The trauma from the stuff that happened next.

And in its wake the glut of Lockdown Movies,

A self-creating genre

Shot quickly, sating the demand

Of a shyly optimistic national mood

With comedies of family claustrophobia, 

Sex farces where ingenus

Broke lockdown, bedding bored old broads

And melodramas featuring brave carers,

Their love interest a handsome young key worker

Who falls to the contagion

And nearly dies, but in the end

They defy social distancing and kiss,

Or else action adventures where a maverick

Government adviser

Thwarts plots to kill the lots of us

By cackling ministers in tall black hats.

These films helped mould the following generation

Watching weekend telly

When the current had the strength

Still stuck indoors, trapped by the murderous weather

Despite low production values and crap acting,

Bad scripts, poor locations,

These pictures grabbed the Zeitgeist’s throat.

As for the extras, they simply dug them up.

Plague Songs - Hidden Hollywood by Rich Hobbs

I

What Dorothy Gale would never know

As fitfully she dreamed of Oz

With whirlwinds all around her reaping Kansas

Was that her beloved Auntie Em,

Just 70 when Baum first wrote the book

Was, as these things sometimes turn out,

Emily Dickinson, bashful poet,

Whose soul would crack had Dorothy

Discovered even one half sprung line

Of Aunt Em’s verse, now hidden round the barns.

She’d married late, to Uncle Henry,

Sprightly at 83 in 1900, 

And in a previous life Henry Thoreau

Although he’d upped from Walden Pond

To make his own backyard in the Midwest

Eluding both the taxman and a warrant

Aimed against his type and issued by the feds.

In private, and out of Dorothy’s earshot,

Last thing at night & turning out the lamp

He’d jokingly call Aunt Em “Emerson”.

As for the Wizard and that talking scarecrow shit,

That was just their homegrown, to help the poor child sleep,

Augmenting the pharmacopoeia of opiates

These honest folk would purchase with dry goods

Across the counter in the store in town

Each Saturday, exactly like all of their neighbours,

In order that  all strained pains of this rough corporeality  

Be when occasioned eased towards transcendence.

Toto still slept on the floor, and knew Miss Gulch next door

Was being eaten by the syphilis bequeath her by her father

    Contracted on the trek Out West.

II

Whereas Bailey Park in Bedford Falls,

A handsome real estate development of tidy homes

In rivalry to the slums that Henry Potter rented out

In the carelessly evocative “Potter’s Field” estate,

Had originally been built on the site of a cemetery

In which Harry Bailey, son of the founder 

Of the Bailey Brothers’ Building and Loan,

Would have been buried had his brother George

    Not even have been born.

It is not recorded anywhere whether or not

They bothered to move the other bodies buried in the cemetery

Before building Bailey Park, so rumours around town

That George was later troubled by haunting apparitions,

Particularly when fighting drunk, should be reckoned

    Unsurprising.

Plague Songs - Before the Plague by Rich Hobbs

I

In the Old Country

    Before the Plague

There was that one day 

Armand and I 

Were let out early

In celebration

Of the President’s Aunt’s

    Birthday

And we mooched throughout

The cobbled alleyways

In efforts to avoid 

    The Grand Parade

Til, from a doorway in the 

Tinshack outhouse

Behind the Glass Cathedral

    A Deacon

Barely older than ourselves

Hissed and beckoned

    With a bag of gold.

The bag itself was bright chartreuse,

The gold in tiny, trinket coins

Dating from back before

    A previous Generalissimo

Debauched the currency and hastened

His demise debasing all our coinage

    With Magnesium.

Our task, the deacon whispered

Would be simple, also legal,

Though silence guaranteed

    The bag of gold

And that was how we ended up

300 yards apart 

At either end of the Glass Cathedral’s

    Famous Crystal Nave,

The light screaming in like needles

Reflected from the buildings circling 

The Piazza, their window panes and gilt

Cannoning back the autumn sunshine

Off the Radio Station, The Palace of Telephony,

The Ministry of Teeth and the spare, Modernist

Simplistic hulk of the newly built headquarters 

    Of the Security Police,

Winner of the previous season’s Architectural Prix d’Or

At a secret ceremony at a dishevelled coastal resort,

The award collected by a nameless man.

We stood, each wrapped in drying canvas,

On a little pile of books -

Bibles, books of diets, philanthropic reports,

With sacks over our heads, 

Enjoined to scream blasphemous obscenities

To see if we could make

    The Archimandrite’s niece

Up in the minstrel’s gallery,

    Start giggling. 

In this task we had good fortune.

Within seconds loud guffaws

Greeted our muffled imprecations

About God’s Mother’s cunt,

Though the niece, much older than we’d guessed,

Still blushed as we shook hands and she

    Refastened her corset

And we ran off with the gold coins

Xylophoning in the pockets of our shorts

    The chartreuse bag an ad hoc, useless kite

    Trailing behind us like a simple younger

Cousin.

And we each of us now had enough

For three months of accordion lessons

And with what we had left over

We ate bowlful after bowlful of

    Moles jugged in wild mulberries,

    A famous speciality

Of the gypsy bistro tucked away behind

The Yiddish puppet theatre.

II

In the Old Country

Before the Plague

In the dusty gully

Through which the river roared

    In Winter, 

Carolling songs that made the old men weep

But which now trickled like their tears,

Armand and I 

Were pelting an old yak

With scraps of rusty shrapnel

Washed here from last summer’s

    Air raids in the Spring.

But then, from on the gantry

Across the Rose Water Weir,

The superintendent saw us, shouted 

    And Gave Chase,

His kepi flying off his head behind him     

    Like a dove.

In my leather clogs I had soon 

Made my escape, but Armand

Was quickly collared, swiped

And carried away kicking

To spend a penitential afternoon

Scrubbing off the crowshit

From the pedestal of

The President’s favourite nephew’s

    Tungsten statue.

Down at the shrunken river’s edge

The old women scrubbed the icons

    In the purple water

Telling filthy jokes in high-pitched,

Pickled grunts, and cackling

    Like bankers.

III

In the Old Country

Before the Plague

After we’d both been expelled 

    From the Cadet Academy

Armand ran away to join the partisans

In their vicious insurrection, rising up

To smash the action of the 

Ministry of Chthonic Culture’s 

    Cruel private militia

And I took up a boring post

Counting speckled air

    In the ventilators

Whining with a contemptuous disdain

Above ceaseless production lines

    In the burlap mills.

After finishing a late shift

I stood waiting for the last tram back

    Into town

Staring with feet-rocking ennui

Down the unlit street which

    Broke into gloomy flashes distending to the night.

Then I saw an old, one-legged man,

Leaning on a broken lampstand as a crutch,

Stomping along beside the ditch

    Towards the stop.

Once we stood nose to nose

I didn’t even feign eye-contact,

Looking out around his peaked hat

    For my tram.

Still, he wheezed into his thick white moustache

Ochred at its tips by cheap cheroots

With barking tales of when, back then

When he was still a Third Class General,

He led a stirring yet disastrous action,

The famous Last Charge of the Second Llama Corps,

    In some old war

Against those dog-headed men 

Who lived across the mountain,

    Apparently Our Ancient Foes.

I glanced and smiled,

Relieved to hear 

The tram perform 

    A buzzsaw scream

Cornering an unseen bend.

He tapped his mottled nose and coughed

    Onto the dusty road

Offered me a pull from

The unlabelled bottle in his

Thin, three-fingered hand,

Its contents, limpid, puce, four-fifths gone and

    Greasily glowing

As I drank.

Here’s how! He croaked,

And vowed next year he was set on

Growing his own head 

Back down beneath his shoulders,

Back to the good old days.

I saw that the approaching tram

    Was full.

IV

In the Old Country

Once the desert filled

    Suburban streets

And they razed the university

    To make room

For the plague pits

We were ushered onto the buses

And driven to the airfields.

Armand was now in exile,

Conspiring in foreign food queues, 

After the Acetone Atrocity 

At the Botanical Gardens

    Three years before

While my wife and children had been among

The very first succumbing to the Plague.

Camphorated tapestries hung in the 

Stinking breeze

Beside the huts,

Hassled humanitarians 

Gently obliging us 

    To climb

The frail, flapping rope ladders to the ships,

Assuring us our bags,

Just meagre sacks with scraps of sacramental

    Memories

Would follow on.

A bearded engineer opined

With unconvincing logic about

New opportunities that would open to us

    In our refuge homes

As mad old crones,

Crook-backed, crooned as they

Cockroached up aboard,

    Insisting 

We were being sent off

Way way beyond the Moon’s right arm.

Soon, looking down, I watched

    As the steppe started to dissolve.

Plague Songs - The Tower of Babel by Rich Hobbs

“Look, everyone, we’re in deep trouble,

Everything’s a frightful jumble,

But we can come through! Let’s enable

Our land to show them all how nimble

We can be! And let’s think Global

And Build Ourselves a Tower of Babel

    Like that bugger in the Bible,

    An edifice to house a Sybil,

    A thing out of a fucking fable,

        Something we’ll all adore!

“And look, I know it seems a shambles

And we, too, grieve for Auntie Mabel

But let us now create a symbol,

(Look, this is me being humble)

A thing about which bards can scribble,

How We Built Our Tower of Babel

    That rose above the burning stubble,

    A monument that we could cobble

    From the lumps of broken rubble

        Of the stuff we smashed before.

“This way society won’t crumble!

And if you think it’s all a gamble

To you I say, don’t be so feeble!

Heed not the whining reds who quibble!

For ever higher we shall scramble

As We Build Our Tower of Babel

    Til we hammering on Heaven’s gables

    To face that oik born in a stable,

    And yank his beard and burst his bubble

        With a triumphant roar!

“So listen up, you feckless rabble!

You won’t fit me inside a tumbril!

Our chaps have trousered all the roubles

To get you hobbled so that Dom’ll 

Lash your backs til you redouble

The Work to Build My Tower of Babel!

    Then, dressed in robes of finest sable

    Stitched by girls with golden thimbles

    Through its portals I shall amble

        Before slamming the door.”

Plague Song - The New Museum of Shit by Rich Hobbs

Once Central Government’s Writ no longer ran

    Those who came instead agreed, before they shifted

Out of town to make up fresh arrangements

    To cordon off the crime scene, Pompeii that evil place,

Piranesi Westminster and let Whitehall rewild

    So that from the shell of Parliament and the deconsecrated Abbey

To the charred and roofless palace’s facade

    Back down the beyond the park and through to Horseguards,

All was now Chernobyled, out of bounds.

The radiation was just isotopes of long historic wrongs.

    Still, the mortmain of institutionalised atrocities

Wrought by the British State upon the world 

    Made that bland acreage a no-man’s-land

A haunted patchwork of disgust and honed dishonour

    Its gnomen this notorious coffinish backdrop,

History’s proscenium arch, Shame’s stage, Ambition’s boards,

    10 Downing Street, which, however, they reopened

Some years later as the New Museum of Shit.

Satire played no part in its new function.

    The Museum’s trustees explained to all who cared

That when the state collapsed new hidden treasures

    Had been discovered, sequestered far below the streets

In the medieval cellars of old Whitehall Palace, among old thrones

    And secret treaties, a stomach-churning trove,

Vaults filled with dried and varnished turds, a faecal archive

    Of the shit of all the servants of the State

Back to the Conquest, the spoor of Britain’s coprocratic lords.

History can never be concluded;

    The heritage builds up like falling ash;

We need museums to wrangle our responses

    When the Past, like herpes, breaks back through our skin.

To which end, now with sensitive curation,

    The Shit Museum’s collection was displayed

In recreated Georgian glass-topped Cabinets

    With rank on countless rank of  medieval

Shrivelled twiglets shat by nameless clerks.

Further on, flaking Reformation Mars bars

    Were labelled as authentically the shit

Of Thomas Cromwell or Archbishop Cranmer

    With shining cowpats from Restoration Admirals

Filling up the rooms of most of the third floor,

    Then, after Pitt, more and more examples 

Were kept in pickling jars, shelf after shelf,

    Pale prunes from statesmen and superintendents,

With one whole shelf of shit from Bonar Law.

A room was dedicated to the Great Turds:

    Churchill and Victoria’s crap inlaid in gold;

Another to shit from unworthy recipients

    Of offices or honours, who had added

To the archive, having signed eternal silence

    In drops of their own blood as they had strained:

Kim Philby, Oswald Mosley, Robert Maxwell,

     From the shit of diplomats, spies and MPs

Right next to Sir Jimmy Savile OBE’s.

This priceless educational resource -

    In terms of the DNA the shit yielded alone - 

Nonetheless remained largely unknown.

    They gave up thoughts of opening a tearoom

As the volunteers who staffed the Museum retched

    And no one bought a single baked shit keyring,

Or a postcard for its kitschness. In the wilderness outside

    Eventually the beavers built a dam

Between the Cenotaph & where they’d killed King Charles

To form a dappled lake fed from the nearby breached Embankment.

Plague Song - Shame in Britain Day by Rich Hobbs

Today it’s Shame in Britain Day

And we’ve festooned the town in bones,

Coachloads full of local kiddies

Are off to conquer nearby towns

Enslaving everyone - for charity!

     And making sure that they record 

        The whole thing on our phones

And today on Shame in Britain Day

We’ll let the tyres burn

At the massacre re-enactment

Behind the Old Folk’s Home

Before cancelling Best Kept Garden

    Because the best are all owned privately

        And are permanently closed.

Then later on Shame in Britain Day,

We’ll chase away a frown

When we all loot the corner shop

Daub racist slogans on its awnings

Tweet death threats to our neighbours

    And pelt some passing foreigners

        With pocketfuls of stones

Then someone once off Crossroads

Leads the Big Blackface Parade

The WI’s Cooking With Ketamin

In the boarded up arcades

And we’ll vandalise the floral clock

    Before they start the dog fights

        As the closing highlight of Shame in Britain Day

And later on this evening

Inside the no-go zones

We’ll be holding a street party

Feeding babies methadone

Then get drunk and stab the vicar

    Once his dad dancing, we all agree,

        Starts lowering the tone.

And if anyone’s left standing

We’ll raise of a glass of soapy beer

To propose a vote of thanks

To the pushy local worthies

Who’ve packed the Shame Committee

    And will fuck the whole thing up again

        Just like they do each year

But not before they’ve stolen

The sponsorship money raised

From tattooing their own faces

By the local Girls Brigade

And fly-tipping on the promednade

    And the Sea Cadets firebombing

        The migrants’ hostel especially

            For Shame in Britain Day.

Plague Songs - Fight Them On The Beaches by Rich Hobbs

A toddler screeches

An achiever beseeches

A squalid statesman’s backchat features

That fraying phrase from Churchill’s speeches

The milling crowd, stir-crazy, breaches

Everything an expert preaches

While someone somewhere cites resistance

Lemmings are numbered with these creatures

A dropped ice lolly’s flavour leaches

A fool who thinks he’s wise thinks Nietzsche’s

The cruel philosopher who teaches

We’re all of us alone, and each is

Not required to give assistance

In midday sun a femur bleaches

A heliotroping sunshade pleaches

The traffic jam of cars now reaches

Beyond the Beechinged railway. Leeches

Must be factored in our co-existence

Skin burns to hues of bruising peaches

Highwaymen sweated in their breeches

Crabs seek shade. A whale beaches

Shades drift through shadows. Keep your distance 

Plague Songs - Past The Pastoral by Rich Hobbs

By now I reckon I’m way past the pastoral,

Beyond beguilement 

Immunised against contagious charms

The shallowed streams of dappled glamour

Contrived to pogrom trout;

The hedgerows’ anarchism, fecund mutuality

Shouldered like everything into the margins,

Edged out, then forced to fortress the 

Multiple stab wounds of tilled fields;

The monotony of monocultures servicing monopolists

And comehithering the townies like a burnt out ladyboy.

And all of it as glitteringly contrived as an 

18th Century automaton in subfusc,

Its china hands still jerking round

The same old endless card trick,

Watched with a soft-palating of gurgles 

From the porch of Cotswolds cottages

The hue of earwax.

Though, for the briefest interlude,

As Earth tried once again to 

Shrug us off like a 

Lingering bad cold

The native chaos looked like fighting back

Before retreating once again to bide its time

And actually

The absence of that eternal trunkroad hum

Beneath uncrosshatched skies,

The patchwork silences below the birdsong,

Merely evoked an earlier nostalgic age

When cycle-clipped folklorists

Wrapped in tweed and tight ideals

Pedalled down the crunchy lanes

To lone, hagridden hamlets

To ameliorate Industrialised Warfare

     By confiscating culture.

Plague Songs - Let’s All Go Dunkirking by Rich Hobbs

We beat the Hun, the Japanese

And now we’ve beaten a disease!

     VE - VJ - VV DAY! (V for Virus).

But before the second wave

Sweeps us all into the grave

    Don’t forget a glorious moment to inspire us!

We didn’t need the Yanks

Or brigades of Soviet tanks

    To define our mighty nation with their work.

The essence of True Brit

Is to roll ourselves in shit

    And pretend it’s glory, just like at Dunkirk!

    So let’s all go Dunkirking

    Because bugger all is working

        And the situation generally is dire

    And as everything gets murkier

    We chaps’ll get Dunkirkier

        And victoriously sink into the mire!

It’s because our Ruling Class

Can’t tell its elbow from its arse,

    All these berks listed with peerages in Burke’s,

Who drawl they’ve won because they’ve dared -

Ill-equipped and unprepared -

    To deny they’ve fucked things up, like at Dunkirk.

Posh, bland and mediocre,

Always in hock to their brokers,

    Complacent and inept, wrapped in their perks,

They’ll still yowl of England’s Glories

(Long since sold off by the Tories)

    With each fresh steaming shitrain of Dunkirks!

    So let’s all go Dunkirking

    Because the dying are just shirking

        Whether cannon fodder or some wheezing codgers!

    If our victory seems quirky

    That’s because we’re so Dunkirky!

        So let’s drink all night to toast our ruling bodgers!

They’ll claim the spitfire is their plane,

Churchill theirs, though Chamberlain

    Is more their mark (or Churchill versus Turks)

And they then expect our thanks

When they dump the other ranks

    At Gallipoli, and would have at Dunkirk

With their talent to appease

From dictators to disease

    Winging the lot, pretending it’s hard work,

Unprepared and ill-equipped!

Then little people’s little ships

    Save their bacon like they did once at Dunkirk.

    So let’s all go Dunkirking

    As our wise rulers are jerking

        Around the BEF or NHS

    And if you think you’re feeling perkier

    You are just feeling Dunkirkier!

        Dropped into one more god-almighty mess!

Because they’ll lead you to your Death

With the lies upon their breath,

    Each balls-up blanked with an infectious smirk,

And this is just the latest highlight

Of our never-ending twilight

    That began falling on the beaches of Dunkirk!

    So let’s all go Dunkirking

    Because bugger all is working

        And everything they touch will turn to crap

    So if you’re feeling irky

    Forget it all and get Dunkirky

        And blow the whole damn bankroll on an app!

    Let’s all go Dunkirking

    Although Nemesis is lurking!

        Sucking on a Duchy Original rusk!

    Hone your dirk until its dirkier

    Slash your wrists to get Dunkirkier

        And dance across the beaches through the dusk

    And we’ll carry on Dunkirking

    Until nothing more is working

        To be Dunkirky-wirky’s such a lark

    And then strap on that old merkin

    And let’s all going Dunkirking

        And reel all night Dunkirking!  In the dark.

Plague Songs - Yeah, Right by Rich Hobbs

A poet told me Poetry’s 

        Exorcism,

A scalpel honed to autopsy the soul,

Spatchcock it on the slab,

Reassign your heart onto your sleeve,

    The agony and gouts of blood collateral 

        To catharsis.

Though I don’t know.

I think, instead, that Poetry’s 

        Our birdsong,

Just the noise we make

To mark our place and twist our sweet survival

    Into beguiling the banal to believe in its

        Own beauty,

The way we once would rote injunctions into memory

        Through rhyme,

Tie up the tallies with alliterative twine

To keep them safe and close, mumbling

Metrically maintaining our best kinships

And coat the gaucheries of love

        In filigrees of glittering opacity.

You know, the same way that we decked

The dullest day to day 

With gin traps, babies’ bones and empty curses

    Back then when we invented

        Our religions.

Until, of course, the poet in us all

Was billyclubbed into the deepest dungeon of

        Our bashfulness

With rolled up whips of written words

By grunting gunsels of the Priesthood of the Thieves,

The papyri’s occult ranks of debts and death lists

Providing a initial, wish-thin papering for the cell walls,

Thickening exponentially,

    Built up with ledgers of accounts.

Plague Songs - The Great Escape by Rich Hobbs

What if their inner spies had tipped the wink?

Foretold the cruel incompetence of

    The callous cranks in charge

And whispered the full consequence

    Of the old’s expendibility?

What if, beneath the cover of Lock Down’s deepest anxiety

They’d made a Great Escape, furtive through the hunkered towns

    Evading the gerontocide patrols

To secret airfields under clouded moons

    To be hissed aboard the waiting, looming airships?

And what if they’d then floated, silent as the streets,

Into the jet streams to be scattered through the safer world?

And what if it took months before their loved ones ventured round,

Knocking on unanswered doors before breaking locks and lock downs,

    Simply to find a propped up, plugged in phone

Installed with apps to simulate an isolated chat with calls

Made automatically in rotation, a trillion algorithmic permutations

    Of familiar inanities, looptaping on Zoom?

What if that vast flotilla then had landfalled,

Tattered near volcanoes, smacked down beside a wadi in the desert,

    Silhouetted deflating languidly at the jungle’s edge

While its passengers danced with gauchos on the pampas,

Lured lizards to the pot through termite mounds

Or crooned gently with macaques sat in the boughs

    Of monstrous trees?

What if? What if? And what if some fifth columnists 

Among the shackled vassals in Death’s Realm

Had falsified the papers, sent their frailest charges

    Through the network of 

The Secret Undertaking, trustworthy hearses,

Unapproachable morticians, unfilled pews,

Unwitnessed rites and unobservable cremations

    To safety and beyond? What if? What if?

And years to come, mysterious, coded postcards

All from the unlikeliest destinations, unsolicited 

    And disturbing the still mourning

Are the only, vaguest hint of 

    Something else. 

What if?